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Video credits

Directed by Adam Dugas and Ann Magnuson

Edited by Adam Dugas

Shot by Adam Dugas, Ann Magnuson and Sadie Spezzano

Sun footage and graphics courtesy of NASA

Sun vector graphic courtesy of footageisland

Home movies by Bob Magnuson

Arzetta doll created by Grandma Magnuson

© 2018 Ann Magnuson/Pink Fleece Music 

All rights reserved

Song credits

Written by Ann Magnuson © 2018 Pink Fleece Music (BMI) 

Administered by Pacific Electric Songs

Ann Magnuson - Vocals, Mouth Harp 

Joe Berardi - Autoharp, Percussion, Spoons, Jug 

Recorded and Mixed by Mark Wheaton at Catasonic Studios

© Ann Magnuson/Pink Fleece Music All rights reserved

Ann Magnuson’s new song “The Sun Don’t Care” draws on her West Virginia roots to deliver an Appalachian-inspired spiritual ballad for today's troubled times. 

Born and raised in Charleston, West Virginia, Ann Magnuson is an actress, writer, musician and artist who is probably best known from the band Bongwater. She currently appears on Season 3 of the Amazon Prime series “The Man in the High Castle”, guest-curated the critically acclaimed Club 57 exhibit at the Museum of Modern Art, and was recently inducted into the West Virginia Music Hall of Fame. 

The music video for the track features original folk art sculptures of the Sun that Magnuson created as well as homemade crochet dolls crafted by her Grandma Magnuson and incorporates family home movies shot by her father during her West Virginia childhood. The literal star of the video is our Sun, particularly as seen in public domain footage created by NASA. While Magnuson does appear briefly, her avatar in the video is Arzetta, a doll created (along with others) for the grandchildren by Grandma Magnuson in the 1950s in Morgantown, West Virginia. “She was a Swedish immigrant, ” says Magnuson of her grandmother “and my grandfather was a Swedish evangelist who preached the gospel to immigrant communities in the mid-west in the early part of the 20th century. Grandma’s favorite expression was “The Lord Will Provide” which meant no matter how bad things got – and things got real bad for them during the Depression and WW2- a higher power would prevail and make everything okay. It’s that kind of optimism, along with the way Grandma never threw anything away and created artwork out of those remnants- that inspires this song and video.”

Artist and filmmaker Adam Dugas co-directed the video with Magnuson and edited the piece, a dreamlike solar journey. “Ann told me that her new art movement is SurRURALism….so I ran with that concept. Using Arzetta [the main doll] as the speaker was really liberating, I created a world for her using the spectacular NASA sun-scapes. I also liked how humble so many of the elements are - dolls, folk art, the Magnuson family home movies from the 60s - and also iPhone footage that Ann shot of various sun reflections as well as the sun masked by smoke from the apocalyptic California wildfires fires this year. Utilizing all these colloquial elements felt in tune with the jug band quality of the song.”

The simple DIY acoustic production of the track reflects Magnuson’s West Virginia roots, as does the improvised Bible Belt style ‘preaching.’  Longtime collaborator Joe Berardi plays homemade percussive instruments like spoons, jug and an old bucket as well as an out-of-tune Autoharp. Magnuson provides vocals as well as improvising on the traditional mouth harp. The track was recorded and mixed by Mark Wheaton at Catasonic Studios where Magnuson’s latest solo album DREAM GIRL was produced.

“The DIY nature of the music connects with the way Grandma made those dolls,” Magnuson explains. “Arzetta –the name actually comes from a nickname I had as a teenage - was fashioned from pipe cleaners and old nylon stockings with a hand-embroidered face - a piece of ‘outsider art’ reflecting the resourcefulness of how my grandmother and other impoverished West Virginians made the most of everything during the toughest of times.

“Grandma remains my greatest inspiration,” says Magnuson “and as I age, I find myself living more like her. She taught me how to sew and how to tell stories. Grandma was a great storyteller. I would sing along with her as she played hymns on her out-of-tune piano, helped her make cinnamon rolls and she even tried to teach me Swedish but that never stuck. But one thing Grandma did teach me that did stick was to stay optimistic; to keep a hold onto hope, even during the bleakest of times.” 

“The Sun Don’t Care” is about seeing the bigger picture. For me, The Sun embodies the essence of a Higher Power, one that cosmically transcends ideology. “

“Pondering it’s size and the fact all these gadzillion hydrogen explosions are constantly happening and it’s all that is keeping us alive helps me from falling into an abyss of depression over how toxic our human culture has become. Especially politics. The lyric “The Sun Don’t Care who is President” doesn’t mean I don’t care who is President. Of course I care. But I need to know that the real power in charge is something bigger, something cosmic, something spiritual, something that shines equally on the red state and the blue- and my hope is that all of us all stop fighting and plug into an optimistic positive energy and hopefully find solutions that help everyone. And if we can’t do that collectively, then we need to each individually “shine our light” of love into this world of pain – by being creative, or just plain nice- and hope that positive energy will spread, the way the sun shines!”

Later Event: November 28
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